Between Performances

A resource for dancers to deliberately dial readiness down after a performance and then dial it up again for the next performance

PRE Between Performances

P R E

Between Performances

One performance down. One to go.

The readiness curve

To perform at my best, I don't stay switched on all day. I dial my readiness down after a performance, then deliberately dial it back up before I perform again.

PERFORM REGULATE RECOVER REBUILD PERFORM
1
Regulate: Exhale Right after I finish
  • I keep walking instead of sitting straight down.
  • I breathe out longer than I breathe in, a few times.
  • I get some water in me, and out of costume if I can.
  • If I want to talk about it, I keep it simple: what I enjoyed, what I'm proud of. Then I let it go.
2
Recover: Give my brain a break Next 30 to 60 minutes
  • This time is for something completely different: music, a game, a book, quiet time.
  • Results, other troupes, and going over what happened can all wait until later.
  • Being distracted right now isn't wasting time, it's part of getting ready again.
3
Recover: Refuel During the gap
  • I choose food that I know will fuel me well, rather than relying on a quick sugar hit.
  • A sandwich, yoghurt and fruit, crackers and cheese, or another familiar snack.
  • I don't experiment with food on competition day.
4
Recover: Stay loose, not still Throughout the gap
  • I get up and walk every so often.
  • I shake out my arms and legs, and roll my ankles.
  • I move enough to stay loose, but I don't turn the gap into another rehearsal, in my body or in my head.
5
Rebuild: Switch on Before my next call
  • Costume back on, and I walk with a bit of purpose.
  • Back with my group, I start my warm up, listen to the music, and mentally mark the key moments.
  • I don't need to recreate how I felt this morning. I just need to get ready for what's next.
6
Rebuild: The 3-2-1 reset Right before I go on
3 Three breaths. Slow in, longer out.
2 Two words that feel right for me today, like "strong, together" or "lift, enjoy".
1 One thing to focus on, like the person dancing beside me, or the music.

I don't have to feel ready to be ready.

  • Excited, nervous, tired, flat, it doesn't matter which one shows up.
  • None of those feelings tell me whether I can perform.
  • Readiness is something I create, not something I wait to feel.
  • My first troupe performance doesn't decide my second.

For those around me

  • My body needs to settle before my mind can, so breathing and movement come before conversation.
  • Questions about the performance keep me keyed up, even kind ones, so save them for later.
  • The best thing you can give me between performances is space to come down and reset.